Home

Current Issue

#23—Silence & Power

SILENCE

POETRY

LIZZY FOX: Fashion—1860

ROSEBUD BEN-ONI: Efes Wrestling with the Poet Who Won’t Look Away

Poet Wrestling with Neutrinos She {Allegedly} Cannot Feel

THEOPHILUS KWEK: Transformations

AMELIA MARTENS: Morning Walk: September 11, 2018

JOHN A. NIEVES: Long Dash

LUPE MÉNDEZ: The Arkema Plant—Crosby, TX

TINA CARLSON: In the Embassy of Silence

W. TODD KANEKO: Looking Outside Airplane Windows

All the Things that Make Heaven and Earth

Horses’ Mouths

CREATIVE NONFICTION

AKIKO YOSANO, translated by MARISSA SKEELS: Excerpts from Postpartum Confinement

YOUNG ADULT & CHILDREN’S LITERATURE

MARGO LEMIEUX: The Gift

YAN FÉCU: The Repeating Island

FICTION

TIPHANIE YANIQUE: Extermination

MICHAEL MARTONE: Two Monologues from Winesburg, Indiana, a small town between Fort Wayne and South Bend and not that far from Warsaw

Mario Talarico’s Peonies

Sue Johnson, Parking Enforcement Officer

MICHAEL NYE: The Good Shepherd

POWER

POETRY

LIZZY FOX: On Power

ELOISA AMEZCUA: I Haven’t Masturbated in Five Days for Fear of Crying

I Haven’t Masturbated in Five Days for Fear of Crying

PAUL TRAN: The Real Housewife of Orange County

JAKE SKEETS: Drift(er)

Red Running Into Water

GABRIEL DOZAL: The Border Simulator (Is This Language a Desert Also?)

BRAD ROSE: No Tomorrow

LAUREN ESPINOZA: Rio Grande Valley Triptych

JADE HURTER: Crystal Vision, with Chrysalis

CREATIVE NONFICTION

YOUNG ADULT & CHILDREN’S LITERATURE

BETH LITTLE: Where Did You Go?

NOAH WEISZ: The Otchka

FICTION

MARK POWELL: Narrowing

MICHAEL MARTONE: Two Monologues from Winesburg, Indiana, a small town between Fort Wayne and South Bend and not that far from Warsaw—

Maurice Milkin, Eraser Carver

The Weeping Willow Windbreak of Winesburg

GABRIELA DENISE FRANK: Muertos