Mario Talarico’s Peonies
My favorite variety is the Eleanor Roosevelt. I am very conscientious in the spring. I stake and cage the plants. I am careful to deadhead the side branching buds to lessen the weight. I know, you are thinking about the ants, but I don’t mind the ants. The ants are as drunk as I am on waiting for those buds to bloom. In the winter I review all the catalogs but I always go back to the Eleanor Roosevelt. Most people think the peonies wilt in the heat, but that is not the case. Peonies are heat tolerant. No, what they need is cold. The crowns need to be frozen, frozen solid. I take no chance. I mulch my peonies through the winter with snow and more snow. All the snow that falls I shovel onto the dormant beds. When it doesn’t snow, I’ll head down to Ed Harz’s Standard Station and retrieve bags of ice to pile on the crowns. It’s the tradition in Indiana to plant peonies in rows along the drive way or next to the white siding of the garages and they do look good that way, that peony green of the leaves, that exploding splatters of red. But I have planted my peonies in drifts, the icy pale pink blossoms piling up together, a dream of winter.
Sue Johnson, Parking Enforcement Officer
I have one of those new digital wearable fitness devices that counts the number of steps I take each day. If you aren’t moving enough there is a tiny picture on the tiny screen, a frowning face. If you are moving the face changes to a smile that gets bigger and bigger as you take more and more steps. That’s all I do is walk. I chalk parked car tires, circling the downtown parking spaces of Winesburg every two hours. That’s all you get of free parking, two hours. I time my walks. I have been doing this long enough I can mark the time by the number of steps I take. The marks I make with the chalk look like smiles too, smack dab on the treads of the driver’s side rear tire. Tire after tire. Two hours later, my pedometer smiling its biggest smile, I come back around. I mark the more recent parked cars, the tires a blank slate. But then there are the ones with the telltale mark from two hours before. I have to write them up. I can do that while I am walking, writing up the summons as I circle the infracting vehicle. I leave the ticket under the windshield wiper blade as I march in place. You can say I am motivated to move even as I enforce the sustained periods of standing still.
Maurice Milkin, Eraser Carver
I go to the Pink Pearl factory store at the factory and buy the ones, discounted, beyond their expiration date. Stale erasers. I have been sculpting for years. Sculpting is about seeing what is not there, the negative space, the foil, the relief. It isn’t lost upon me that in my way I am erasing the eraser, whittling it away one rubber sliver at a time. In the end I have a rubber stamp embossed with a word. I use the stamp to stamp. It stamps STAMP. I have turned these erasers of flat language, turned them into these words with enough depth, a lip. It’s a slug of spongy type. I tool these one-word stories, use blue impermeable ink. MOM for instance. DAD. GRAM. YOU. DEAR. LOST. GONE. ?.
The Weeping Willow Windbreak of Winesburg
FDR himself came to Winesburg and planted the first few saplings. Well, he didn’t actually plant them himself but sat up in the Sunshine Special and directed things. He wanted to build a grand shelterbelt from Canada to Mexico. We wanted to do our bit. The President motored away in that big old Lincoln, and he left a contingent of the CCC behind to finish the landscaping. That was years ago, and the shelterbelt was never really realized in the aggregate. But here in Indiana there is this little baffle of depression-era willows. Roosevelt was haunted by the roiling clouds of dust, dreamed of something to knock the dirt out of the thin air. Well, the wind is with us here. We always say there is nothing to slow it down, the wind, as it slides off the mountains out west. There was an oracle in ancient Greece where the priests got their instructions in the rustle of the breeze in the leaves. Oak leaves, I believe. The lachrymose leaves of the willow are all muffled, mumbling mostly. They are pretty to look at, I suppose, this memorial copse, this limping crippled orchard smudging the horizon.
From Hunger Mountain Issue 23: Silence & Power, which you can purchase here.
Art by @anna_croc01, curated by Dana Lyons.
Michael Martone’s new books are BROODING and THE MOON OVER WAPAKONETA: FICTIONS AND SCIENCE FICTIONS FROM INDIANA AND BEYOND. He lives in Tuscaloosa and teaches at the university there